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Culture Forward x UKPHA Book Club: Both Not Half by Jassa Ahluwalia

Art on a wall with someone reading a book

He talks about Both, not half: A radical new approach to mixed identitywhich he spent the last three years writing.

The event was organized by the United Kingdom Punjab Heritage Association (UKPHA), which is dedicated to the preservation and promotion of Punjabi heritage and culture. During the pandemic, they started a book club, allowing members to hear from notable authors including Anita Anand, Sathnam Sanghera and Meera Syal.

Tonight’s talk has been produced in collaboration with the University of Birmingham’s Culture Forward network, which aims to bring the university, city and cultural organizations of Birmingham into closer and more creative collaborations. After connecting both sides, Sikh studies professor Jagbir Jhutti-Johal says:

“UKPHA are delighted to be supported by the University of Birmingham’s Culture Forward initiative, which is helping us organize our first ever live book club event, taking place on campus.”

In the room are members of local communities who have come to hear from a boy from the Midlands who has done good. As an actor, Ahluwalia rose to prominence as Rocky in the hit BBC Three series Some girlsfollowed by starring roles in Unforgettable, Ripper Street, and Peaky Blinders.

Noreen Khan and Jassa Ahluwalia

He was born in Coventry to a white English mother and a brown Punjabi father in 1990. Raised in an extended family and attending school in Leicester, Ahluwalia spoke English on the playground, Punjabi with his grandparents and spent various holidays of summer in India. .

For a long time, he never questioned the label assigned to him: “half-Indian-half-British”. As a white man, his ethnicity didn’t seem to pose any challenges, on or off screen. However, he became increasingly aware that his Punjabi was an integral part of his being and something he felt compelled to explore as an artist.

Taking to social media, Ahluwalia created the hashtag #BothNotHalf to explore her dual heritage: “It came from a place of wanting to share with the world that I’m not half, I’m both.” Capturing people’s imaginations, his reflections developed into a TEDx talk and documentary before being written down.

“So much of this book was about finding answers,” says actor, writer and filmmaker Jassa Ahluwalia, who sits on stage at the University of Birmingham. He talks about Both, Not Half: A Radical New Approach to Mixed Identity, which he spent the last three years writing.

The event was organized by the United Kingdom Punjab Heritage Association (UKPHA), which is dedicated to the preservation and promotion of Punjabi heritage and culture. During the pandemic, they started a book club, allowing members to hear from notable authors including Anita Anand, Sathnam Sanghera and Meera Syal.

Tonight’s talk has been produced in collaboration with the University of Birmingham’s Culture Forward network, which aims to bring the university, city and cultural organizations of Birmingham into closer and more creative collaborations. After connecting both sides, Sikh studies professor Jagbir Jhutti-Johal says:

“UKPHA are delighted to be supported by the University of Birmingham’s Culture Forward initiative, which is helping us organize our first ever live book club event, taking place on campus.”

In the room are members of local communities who have come to hear from a boy from the Midlands who has done good. As an actor, Ahluwalia rose to prominence as Rocky in the hit BBC Three series Some girlsfollowed by starring roles in Unforgettable, Ripper Street, and Peaky Blinders.

He was born in Coventry to a white English mother and a brown Punjabi father in 1990. Raised in an extended family and attending school in Leicester, Ahluwalia spoke English on the playground, Punjabi with his grandparents and spent various holidays of summer in India. .

For a long time, he never questioned the label assigned to him: “half-Indian-half-British”. As a white man, his ethnicity didn’t seem to pose any challenges, on or off screen. However, he became increasingly aware that his Punjabi was an integral part of his being and something he felt compelled to explore as an artist.

Taking to social media, Ahluwalia created the hashtag #BothNotHalf to explore her dual heritage: “It came from a place of wanting to share with the world that I’m not half, I’m both.” Capturing people’s imaginations, his reflections developed into a TEDx talk and documentary before being written down.

Ahluwalia initially sought to create her book for others, before realizing that “I had to write it for myself, to make sense of it.” Instead of projecting himself outward, it forced him to look within and ask “who am I?”.

Chairing the discussion, Noreen Khan reveals the story behind Ahluwalia’s title, which she describes as “a quest” in which she searched for answers about herself and a world that likes to put us in boxes. He hopes others will also use it as a map for their own journeys.

Speaking frankly, he’s also not shy about reflecting on the benefits of being a white presenter. “Even my name Jassa is ambiguous enough to be read as white.” Sometimes he was mistakenly identified as Swedish – this anecdote is laughable.

Both are not half covers

The engaging speaker also uses humor to address more difficult topics. “Why was I given a platform? A white guy speaking Punjabi is shareable content, and I was a curiosity,” he muses.

On other occasions, he felt like an outsider. At a wedding, he was viewed as an intruder and “different” because of his appearance. This was especially painful because he had always turned to culture as a means of connecting with his heritage – eating Punjabi food, participating in Bhangra dancing, going to the Gurdwara.

As a child, he didn’t feel the need to explain his interest in Punjabi heritage – “I could just be.” But while the author was “raised with both families,” he explains that “the world wasn’t ready for both.”

Part memoir, part manifesto, his book invites a “new way of looking at the world as both, not half.” When asked by an audience member about the best ways to ensure their children stay connected to their heritage, he advises:

“Passing on culture shouldn’t feel like an obligation, but it should come from a place of love and understanding that identity is constantly evolving.”

He emphasizes how important the book club was in connecting him with his heritage and boosting his confidence: “The support of UKPHA and the work they do is what made it possible for me to believe I could become an author. They constantly inspired me and always gave me a sense of home, belonging and community… the essence of what Both Not Half it is about.”

Following the event, he tells me what it meant to be invited to speak within the University’s red brick walls:

“As a university dropout, it is deeply validating to have been given a platform by the University of Birmingham, although I am deeply saddened that this comes at a time when arts and cultural organizations in the city are facing 100% cuts to their budgets. . The arts are how we express belonging and that’s what I experienced on Monday. We shared joy and sadness as part of a collective effort to better understand ourselves and envision a future where we can all be whole and multiple. None of us can be “both” when funding is cut in half. That is why my book is not just a memoir, but a call to action. It is a campaign for membership in a divided world. And I am deeply grateful to the University for giving me a stage from which to give my rallying cry.”

By Ruth Millington

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