A researcher from the University of Warwick explores the historic carvings

A UNIVERSITY of Warwick researcher has been exploring sculptures across the country for International Sculpture Day.

As social media debates the anatomical accuracy of the private parts of ancient Greek statues, Dr David Wright of the University of Warwick’s Center for Cultural and Media Policy Studies ventures into a distinctly British exploration: the world of British comedy immortalized in sculpture.

This International Sculpture Day, Dr Wright embarks on a journey through England’s towns and cities where statues of beloved comedians stand tall, etching their legacy into the nation’s cultural fabric.

From Eric Morecambe’s infectious laugh to Victoria Wood’s sly charm, these sculptures serve as lasting monuments to the indispensable role of comedy in British society.

In his latest work, Dr Wright delves into the debates surrounding nostalgia, popular culture and heritage, showing the cultural and political significance of statues in the contemporary landscape.

Dr Wright, said: “These sculptures not only celebrate entertainment icons, but also serve as poignant markers of collective memory, belonging and identity.

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“Sculpture – and especially representative statues of particular people – can be seen, in artistic terms, as an ‘old-fashioned’ form.

“However, there is still a push to commemorate and celebrate people in these ways.

“As we celebrate the art of sculpture, we should also reflect on its power to provoke thought, inspire dialogue and illuminate the complexities of our shared heritage.”

The research also looks at Britain’s socio-political landscape and delves into regional inequality and political identity.

The statues use humor to reflect the persistent myths of northern working-class life and to expose class inequalities.